Voices from customer

Just looking at the shoes gives you confidence and motivation. Aurora Black.

Pianist/Emy Todoroki-Schwartz

She received a Special Presentation Award from Artists International Auditions in 2009, and his 2017 release, bloom, was in the top 10 in the classical category on the high-resolution music distribution website e-onkyo. Former official accompanist at the University of Texas at Austin and Hebrew Union College of New York, and former adjunct instructor at New York University. She is currently active as a soloist and chamber musician in Japan, Spain and the USA.

It gives Confidence and motivation. Aurora Black.
The design is pleasing to look at, the comfort and stability of the pedals are all excellent!

The curved heel of the Piano Shoes is as good as it gets. The sparkling shine is sure to catch the eye.

Pianist Marie Kiyone, lecturer at Showa University of Music

Only foreigner to win a prize at the All-Poland Chopin Piano Competition, 4th prize; participated in the International Chopin Piano Competition 2010. Winner of various international competitions, including the 11th J. Zalempski, L. Godowski and Premio Accademia 2015 (Rome). She has also won numerous prizes at national and international competitions, including PTNA, MozARTe (Germany), Stefano Marizza (Italy) and the Gershwin International Music Competition (New York), etc. She has been a part-time lecturer at Showa University of Music since 2017.

The curved heel of piano shoes is as good as it gets.
The seven-color sparkle is sure to catch the eye.

Highly recommended not only for classical players but also for piano players in the jazz and pop scene!

Pianist Ms Natsuki Nishimoto

Graduated from the Faculty of Human Sciences at Waseda University and completed a Master’s degree in Music Education and Piano at Tokyo National University of Fine Arts and Music. She has completed postgraduate studies at the Escola Superior de Musica de Catalunya (ESMUC) and the Escola Superior de Musica de Castellón in Spain, where she won first prize at the San Giovanni Teattino International Piano Competition (2014), second prize at the Campillos International Piano Competition (2012) and the International Piano Competition of Malta (2015). He has won numerous prizes, including the Spanish Music Prize at the Spanish Composers International Piano Competition (2012), the 3rd prize at the Jose Roca International Piano Competition (2013) and the Cidade Ferrol International Piano Competition (2014).

These piano shoes have become indispensable for the show.
As I often play not only sitting down, but also standing up or moving as it were, these piano shoes have eliminated my worries about shoes in the performance.
When I was in my early twenties, I used to have problems with these shoes often getting stuck in pedal holes because of the toe design, but I had no worries because they are so well researched.
Thank you for developing such shoes that are also very functional!

It gave me the feeling of fine pedaling and fine movement to lean on.

Pianist Ms Yuna Tamogami

Bronze prize at the 39th PTNA Piano Competition in the Special Class. First prize at the 2nd Bolzano Piano Festival, the 22nd Concours Marronnier 21, the 6th International Piano Competition of the City of Xàbia, the 1st Liszt International Music Competition and the Emilia Ed Elsa Gbitozzi International Piano Competition 2022. 3rd prize at the Sigel Kawai Piano Competition (Italy).

When I first put these shoes on, it felt as easy to pedal as if I were barefoot.
It fits snugly to the foot and gives a very realistic feeling of the pedals.
It gave me the feeling of fine pedaling and fine movement to lean on.
I am a fan of the 6 cm heel and one of the things I like about them is that they are stable, so I don’t feel high and it is easy to walk on stage.
This is a very important partner with whom I want to share the real piano stage for a long time to come.

〜Profile〜.
“As if you are telling a story with musical notes, you can feel a unique soul with longing and passion in the delicate sounds.” -West German newspaper.
Born in 1994, Japanese concert pianist Yuna Tamogami has already performed at some of the most prestigious concert halls,including Sala Verdi in Milan (Italy), Sala Michelangeli in Bolzano (Italy),Tokyo Opera City(Japan) and Act City Hamamatsu (Japan) etc.
Ms.Tamogami has given solo recitals in Japan, Italy, Spain, Germany, Hungary and Slovenia. She collaborated with orchestras such as the The Tokyo City Philharmonic Orchestra,Philharmonic Wind Orchestra “Claudio Monteverdi”,Orchestra camera del Friuli Venezia Giulia.
In 2017 she became the member of Trio Quffo with Hiroki Tanizaki (violinist)and Yuki Chiba (clarinetist).Trio Quffo became one of the most promising group of their generation in Japan and was selected important concert series including the Act New Artist Series 2022 and the Phoenix Evolution Series in 2022.
Graduated in 2016 from Tokyo College of Music (Pianist Performance Course) and graduated in 2018 from Graduate school of the same school. Now she is studying at Perosi Academy in Italy.

Free pedaling! Excellent stability!

Pianist Ms Natsumi Kuboyama

Gold Prize in Class F of the 2006 PTNA Competition, 2nd Prize in the 2008 Berlin Steinway International Piano Competition, Audience Prize and Concert Prize; 2009 Yasuko Fukuda Award for Encouragement, with the American String Quartet in New York the following year; 1st Prize in the 2013 International Chopin Competition in Asia Professional Section; 1st Prize in the 2016 Salzburg-Mozart Chamber Music Competition; 1st Prize in the 2013 International Chopin Competition in Asia Professional Section; 1st Prize in the 2016 Salzburg-Mozart Chamber Music Competition. In 2013, she won the highest prize at the International Chopin Competition in Asia in the professional category, the first prize at the Iizuka Newcomer Music Competition, and the first prize at the Salzburg-Mozart Chamber Music Competition in 2016.

Piano shoes fit your feet so well that you don’t even feel that you are wearing shoes.
Free pedaling! Excellent stability!
Before a performance, I tend to get nervous from nerves and sometimes I don’t like wearing heels, but thanks to these wonderful piano shoes that make me feel like I’m walking barefoot, they make me stress-free before the performance.
We hope you will all give it a try…

They support the body well during the performance without making you feel uncomfortable at all that you are wearing heeled shoes.

Pianist Ms Mirai Sumino

Selected for the 20th Tokyo Music Competition. Gold Prize at the 17th Chopin Competition in Asia, Concerto Section. Performed in the concert ‘The Passion of Music’ at Carnegie Hall, New York. On graduating from university, she received the Acanthus Music Prize, the Doshokai Prize and the Geidai Clavier Prize. She also performed with the Philharmonia Orchestra of the University of the Arts. Currently a second-year student of the Graduate School of Music, Tokyo University of the Arts, after studying at the Music High School attached to the Faculty of Music of Tokyo University of the Arts and Tokyo University of the Arts.

I used to use ballroom dancing shoes for the show, but my feet hurt after wearing them for a long time and I only wore them while I was on stage.
These piano shoes fit and flex very well on the foot from the moment you put them on, and they support your body well during the performance without making you feel uncomfortable at all that you are wearing shoes with a heel.
They are so wonderfully comfortable that I want to wear them all the time, not only on stage, but also in everyday life.

I wish I had found piano shoes sooner.

Ms Kazuko Sumi

Visiting professor at Tokyo College of Music, Toho College of Music, BA Berlin State University of Music.

It is not uncommon for people to wish they had an easy concert shoe that would allow them to pedal as if they were playing the piano at home when they go on stage.
I happened to know about piano shoes developed by a little pianist and took the plunge and bought them immediately. When I tried them on the next day, I found that they fit me perfectly, with no gap between the toes, and they were soft and comfortable!
Now I just wish I had found these shoes earlier.
We can confidently recommend these piano shoes!

I was thrilled to be able to pedal as I intended.

Ms Lie Ishii

Associate Professor, Tokyo College of Music

When I tried the piano shoes on, I was first surprised by the comfortable fit and lightness of the shoes.
And the shape was beautiful, with an elegant sheen and attention to detail.
Above all, I particularly liked the ingenious heel section, which makes the pedals very easy to pedal and stable. Pedaling requires subtle control over depth and speed, and I was thrilled to be able to pedal as I intended.
I don’t usually wear heels, but they are easy to walk in and very stable.
It is also recommended for people like me who are not used to wearing heels on a regular basis.
Thank you for the wonderful shoes!

I still remember how surprised I was when I first tried it in the shop.

Pianist Ms Yurika Kimura

2011, 1st Prize and F. Liszt Special Prize at the 4th ASEAN International Concerto Competition, Jakarta; 2012, Silver Prize (highest prize) at the 13th Chopin International Piano Competition in ASIA Professional Competition in Asia; 2016, 8th Rosario Marciano International Piano Competition in Vienna) 1st Prize & Grand Prix.

The shoes I used to wear in the performance had a problem with the heel slipping and sliding unsteadily when I was pedaling, but since I found the Little Pianist piano shoes I can pedal with great confidence!
Outstanding stability and lightness. I still remember how surprised I was when I first tried it out in the shop before I bought it.
For me, the most important thing is to feel at ease on the day, so these shoes are absolutely essential.
I will continue to use it with great care.

They are light and comfortable, as if wings had grown on your feet.

Pianist Ms Takako Takahashi

After graduating from the Toho Gakuen School of Music, she won second prize at the International Music Competition of Porto, Portugal, and the Best Contemporary Music Performance Award. 5th prize at the 12th International Chopin Piano Competition. First prize at the Rajviu International Piano Competition.

©Akira Muto

I felt covered in marshmallow the moment I put them on.
Fluffy, light and comfortable, as if wings had grown on your feet.
When you pedal, you can certainly feel the sensation.
Moreover, the foot is well supported without moving in the shoe.
I think that’s why I feel as if I am pedalling with my bare feet.

These shoes are very easy to adjust the depth of the vibrato pedal and are a good partner to keep me on my feet.

Pianist Ms Shion Ota

She studied under Björn Lehmann at the Berlin University of the Arts. First prize at the 67th All Japan Student Music Competition, Junior High School Division, 2013; fifth prize at the 17th Hamamatsu International Piano Academy Competition; Most Promising Artist Award; won the Special Silver Prize and Audience Prize at the Pitina Piano Competition in 2016; in 2017, the 21st Matsukata Hall Music Prize; 2nd prize at the 2018 Malta International Piano Competition; performed in the Japanese competition CHANEL Pygmalion Days; 6th prize at the 2021 Sydney International Piano Competition; 3rd prize in the piano category at the 2022 Sendai International Music Competition; 3rd prize in the piano category at the 2022 Sendai International Music Competition; 3rd prize in the piano category at the 2022 Sendai International Music Competition; 3rd prize in the piano category at the 2022 Sendai International Piano Competition.

It is stable and easy to walk on.
The depth of the vibrato pedal is very easy to adjust.
And that is not all.
This heel allows the foot to move smoothly to the sostenuto pedal.
It is a reliable partner that keeps you on your feet.

We have been looking at it since it was first launched and it has evolved wonderfully.

Pianist Ms Yuko Ueno

Part-time lecturer at Showa University of Music. Diploma in piano from the International Piano Academy in Imola (Italy), Diploma in piano conservatoire from the Ecole Normale de Musique de Paris, recognized by Argerich, El-Basha and Katsaris, Diploma in chamber music conservatoire from the same conservatoire in 2009, first in the class and unanimously approved by the jury. In 2009, she was awarded the Diploma of the Chamber Music Concertist Course of the Conservatory of Music, first in her class and unanimously approved by the jury. She has won numerous prizes at the Hamamatsu International Piano Academy Competition, the Hummel International Piano Competition and others.

The soft leather feels very comfortable and absorbs into the foot.
You can step on the pedals as if they were barefoot, even when delicate pedalling is required.
We have been looking at it since it was first launched and it has evolved wonderfully!
Together with these shoes, I would like to further explore music that resonates with me.

Magic shoes, we are proud to recommend them to students and teachers!

Ms Michiko Sumino

Pianist Jury member, International Chopin Piano Competition in ASIA Asia
She is Mother of Hayato Sumino.


They are exactly the ideal shoes I was looking for. When playing, the first thing that comes to mind is the ease of subtle control of the pedals, and how smoothly and lightly the foot moves in and out on the pedals.
It is also nice not to hear footsteps when walking on stage!
I will continue to use these magical piano shoes with great care.
We are proud to recommend it to students and teachers.

〜Profile〜.
After graduating from the Toho Gakuen School of Music with a degree in piano, she studied at the New England College of Music in Boston. She currently teaches a wide range of students from infants to adults, including students preparing for music college entrance exams and piano teachers. She has received the PTNA Piano Teacher of the Year Award 22 times in succession. She has received many special teaching awards. More than 100 of her students have participated in the PTNA National Finals. He is also active in many fields, lecturing, writing and teaching seminars on piano teaching methods.
 She is a regular member of the All Japan Piano Teachers Association (PTNA) and a jury member of the PTNA Competition National Finals. Jury member of the Asian Chopin International Piano Competition in Asia. Member of the jury of the National Competitions of the International Chopin Piano Competition in Europe.

The birth of ‘piano playing shoes’ was an eye opener.

Ms Reiko Kikuchi

Visiting professor at Tokyo College of Music and Showa University of Music

Thanks to the comfortable fit, as everyone has already commented, and the stability provided by the device with the heel, I was able to pedal subtly and smoothly.
Pedalling is an important part of piano playing, along with finger touch.
In the beginning it is simply ‘step on and release’, but gradually you have to learn more advanced techniques such as half pedals and vibrato pedals, which I often pay attention to during lessons.
The creation of a ‘piano-specific shoe’, which did not seem to exist until now, is a true eye-opener.
I would recommend it not only to pianists, but also to mothers and teachers, as it makes no noise when walking on stage.

The pedals and feet become one, allowing for lean and precise pedaling.

Ms Mai Koshio

Part-time lecturer at Tokyo University of the Arts High School of Music and Osaka College of Music.

When I put on my piano shoes, I was thrilled that I had finally found the performance shoes I was looking for! I was thrilled.
I have tried many shoes in the past, but it was difficult to find the right one! I’ve never been able to find anything that I could think of.
These shoes not only remove the anxiety from your feet and keep your centre of gravity in check, allowing you to concentrate on your playing, but the soft, cushioned material also allows your pedals and feet to become one, allowing you to pedal with precision and without waste.
After all, the moment you put on your favourite shoes, you feel good! is the feeling that motivates you before the show.
It is my partner with whom I will be sharing the stage. I am grateful to Little Pianist for noticing the thoughts of the performers and developing this product.
I recommend it to many pianists with the same problem!

〜Profile〜.
Graduated from Tokyo University of the Arts and its graduate school. Performed in front of the Imperial Palace’s Momoka Gakudo upon graduation. Graduated from the Mozarteum Salzburg with the highest unanimous honors in the master’s programme at the Mozarteum University of Salzburg. Completed post-graduate studies at the same university.
Winner of the Silver Prize in Class C, Gold Prize in Class E, Bronze Prize in Class G, Silver Prize in Special Class and Audience Prize at the national finals of the PTNA Piano Competition. Awarded the Encouragement Prize at the 3rd Yasuko Fukuda Award Selection.
Second prize in the Jr. D category at the 2007 Val Cesia International Competition; second prize at the 2015 Mauro Paolo Monopoli International Competition; first prize at the 2019 Amigdala International Piano Competition; first prize at the 2008 Amigdala International Piano Competition; first prize at the 2009 Amigdala International Piano Competition; second prize at the 2009 Amigdala International Piano Competition.
1st prize at the Finlentino International Competition in 2020.

You can pedal as if it were a part of your body.

Ms Mari Takeda

Visiting professor at Tokyo College of Music, director of PTNA All Japan Piano Teachers Association

The moment I met these piano shoes and put them on, I was very impressed by how gentle they were on my feet.
It is the best fit I have ever experienced.
And you can operate a subtle sensory control over the pedals.
You can pedal as if it were a part of your body.
We are eager to tell as many people as possible about these piano shoes.

These are the only shoes I wear when I play! Little Pianist’s shoes are better than any other shoes!

Pianist Ms Hibiki Katayama

I want to choose different dresses, but these are the only shoes I want to wear! Little Pianist’s shoes are better than any other shoes.
From an early age, all shoes for concerts were a problem for me, as they made my feet hurt and slip.
Above all, they are distracted and unable to concentrate during the performance.
I have been able to pedal more boldly since I started wearing these shoes.
I have wanted one since I was a child when I needed auxiliary pedals.
These shoes are very reliable and support growing feet without strain.
A strong ally in the production! Little Pianist! Thank you.

〜Profile〜.
The 40th PTNA Piano Competition, Jr. Class G, Silver Prize
The 7th International Chopin Piano Competition in Hartford (USA), Young Artist Category, 2nd Prize
4th Aarhus International Piano Competition (Denmark) Category A Finalist
9th Aloha International Piano Competition (USA) 1st Prize, High School Division
2nd Krystain Tkaczewski International Piano Competition (Poland), 1st prize in the Young Prodigies category and Most Promising Talent award
10th Rosario Marciano International Piano Competition (Austria) 2nd Prize, Group 2
6th Paderewski International Piano Competition in Farmington (USA) 1st Prize in the Young Artist category

To ensure that the pedals are used as practiced and as reliably as possible on any piano in the production.

Pianist Ms Sakurako Kita

The lessons are now very detailed.
Among other things, they learnt that the pedal is not only used to connect notes, but also to create resonance and change volume, and practiced until they were able to use it to its fullest.
However, when it came time to stage the show, they had trouble adjusting well.
Since I started wearing Little Pianist’s shoes, I have been able to do as I practiced on any piano in the production, and I can now use the pedals reliably.
From now on, I want to use these piano shoes to expand my musical horizons.

〜Profile〜.
First prize in category A at the 3rd Geno Takács International Piano Competition (Austria), third prize at the 2nd Malta International Piano Competition Japan Piano Open, second prize in category D at the 5th Beethoven International Piano Competition in Asia, Theatre Fonte Prize and Sagami Lake Exchange Centre Prize, 2nd Second prize at the 2nd Classic Piano International Piano Competition (Dubai). After attending the Music High School attached to the Faculty of Music at Tokyo University of the Arts, she was a first-year student at Tokyo University of the Arts. Passed the concert piano course at the University of Music and Performing Arts Vienna, where she is currently studying for her Bachelor’s degree. Studied with Rei Eguchi, Mirai Omine and Lilja Zilberstein.

You can do a delicate vibrato pedal with tremendous speed, as if you had lubricated each joint. It’s as if it’s not my foot.

Kazumasa Matsumoto, pianist

To be honest, I underestimated it a bit. I thought I was good at pedaling to begin with, so even so, I was sure I could do the same with any shoes.
But I was surprised when I tried them on. I was surprised to see how easily my feet moved. I didn’t normally feel any problems, I thought I was pedaling normally, but when I wore these shoes, my feet moved smoothly as if each joint had been lubricated, as if all the square parts had been rounded. Then I realized that my feet were doing delicate vibrato pedals at a tremendous speed. It was as if they weren’t my own feet.
Since then, these shoes have become indispensable for performance. I’m not a turncoat or anything, but I really feel that everyone should give these shoes a try.

〜Profile〜.
Winner of the Japan Music Competition and all prizes. Since 2016, he has been holding an annual recital series called ‘Kazumasa Matsumoto’s World Music Heritage’ and uploading performance videos and commentaries on YouTube, online salons and Twitter or X. He is also a member of the Japan Society for the Promotion of Music (JSPS). He is an associate professor at the Tokyo College of Music and a visiting associate professor at the Nagoya College of Music’s Piano Performers Course, where he also teaches younger students.

The passive feeling, without even a ‘sense of control’, is something new.

Mr Yusuke Kikuchi, pianist

No matter what I wear or whether I am barefoot or not, for a seasoned pianist, the ‘operating feel’ of the pedals is something that I am hardly even aware of.
But even for me, there is a unique lightness in the feeling of these shoes.
The passive feeling that makes you feel as if you have ‘heard’ a certain sound and the music is directly affected by it is a new thing.
In a word, it’s just so easy.

〜Profile〜.
After returning to Japan in 2007, he has been a part-time lecturer at Tokyo University of the Arts, Toho Gakuen School of Music and Senzoku Gakuen School of Music, and a visiting associate professor at Nagoya College of Music. He teaches seminars and master classes in various locations. In recent years, he has also devoted himself to the development of young people and has served as a jury member for various competitions. He is a member of the Tokyo Metropolitan Government’s Policy Planning Bureau’s Tokyo Future Vision Roundtable, convened by Governor Yuriko Koike. Currently full-time lecturer at the Tokyo College of Music, representative director of En Inc. and director of the CJM Jingu no Mori Music Academy (Shibuya-ku, Tokyo).

It was Claude Debussy who said the “Pedal is the Soul of the Piano”.

scar Wong, pianist

It was Claude Debussy who said the “Pedal is the Soul of the Piano”. Thanks to the unique nature of these shoes, the pianist enters the stage in silence. And with the most minimal of fatigue, they are able to perform pedalling of the finitist nuances, that which he imagined in his mind and heard in his heart.

〜Profile〜.
1st Prize: Premio Elisabeth Tschaikowsky (Switzerland, 2022)
1st Prize: International Chopin Competition in ASIA (Japan, 2023)
1st Prize: Antoni Radzwill International Piano Competition (Poland, 2024)